PROFESSIONAL REVIEWS
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Date of Review: April 2005
Reviewer: Bill Binkelman Website: |
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After
multiple playings of this CD from Aldo (real name Alfred Donato), I find it
hard to believe he's slipped under everyone's radar for so long (the CD was
released in 2002). This album is a first rate exploration of acoustic guitar
instrumentals (with occasional accompaniment on assorted keyboards and drum
loops). The artist himself, on the album's cover, refers to his music as
"Contemporary Classical Guitar." However you categorize it, it's
tasty stuff, flavored with subtle hints of the Mediterranean, but also
similar in sound (at times) to someone like Craig Chaquico. Better
comparisons, however, would include Chris Spheeris or the duo Shahin and
Sepehr, since Aldo plays with less glitz and flash (and electronics) than
Chaquico is frequently known for, plus when he does spice things up with some
world music touches, I was reminded of Spheeris (circa Europa or Eros),
in particular. Sometimes,
a song features just solo guitar, such as the plaintive ballad
"Morning" which breaks gently on one's ears, just as the dawn would
peak slowly over a gentle hillside. He can also ramp things up considerably,
as he does on "Endless Tide," which begins softly but is propelled
toward a driving tempo by the addition of pounding bass and snare beats
alongside over-dubbed guitars. He can spin a quasi-smooth jazz romantic
ballad, such as the title cut (superb use of subtle synthesizer shadings on
this song!) or quiet things to a twilight whisper on the enchanting
"Silent Star" (yet more surgically precise application of synths
and piano - this man could give a clinic on how to integrate keyboards with
guitar). Throughout the ten tracks on Close To You (and by the way,
no, he doesn't cover the famous Carpenters' song!), I was consistently
impressed by both Aldo's production and his winning ways with melody, song
structure, and, of course, his guitar playing. Whether he was playing
delicate and somber ("Crystal Rain") or mixing pumped-up dance
beats into some fiery Mediterranean-fusion guitar music ("The
Dance"), the guy didn't take a single misstep. So, how in the hell have
so many people missed him? Here's
hoping my review will catch the fancy of some of my guitar-loving readers,
because I gotta believe if more people knew about Aldo, he'd enjoy more
recognition, to say the least. Over the years, I've seen a lot of
good-to-great talent go unrecognized, but Aldo's Close To You is
simply too good to be ignored. If some big label hotshot talent scout has any
brains at all, he or she will be on the phone or email to this man and sign
him up. If he can do this well on his own, lord knows how much better he
might get with some muscle behind him. I highly recommend this CD, especially
for playing while driving since it has such a great sound and invites turning
up the volume, even on the ballads! Home|
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